“For cinema lovers… some of the most important films in cinematic history”

A novel focuses on Federico Fellini’s tempestuous life and brilliant film career.

Fellini first ventures to the circus on his fourth birthday in 1924. It is there, beneath a circus tent in Italy, where he seems to fall in love with the playfulness and creativity that infuse the sometimes-raucous atmosphere of show business. Fellini’s passion for theatrics continues despite coming-of-age in Fascist Italy as World War II begins. Later, determined to make sure “his life would have meaning—endless meaning and purpose,” he moves to Rome, where his job writing for a satirical magazine leads to opportunities in the film industry. While casting a radio play, he sees a picture of Giulietta Masina and immediately calls her up to make a date. The two soon fall in love and get married, cementing what will be a fruitful, long-term relationship both in life and the cinema. Following the war, Fellini’s career takes off, as he makes La Strada, La Dolce Vita, and 8½. Throughout it all, the playfulness of the circus never leaves Fellini’s heart.

Fuglei’s account of Fellini’s life is certainly engaging, particularly the fearful descriptions of the Nazi occupation of Rome during the war and the vivid scenes of the relief and joy in the city when the German troops exit. The author’s highlighting of the differences between Fellini and other directors is a great nugget for cinema lovers: “Unlike many directors, he loved visitors and onlookers to his sets; he felt they brought energy and life…Federico’s were full of constant noise, chatter, and seeming disorder.” The story is accessible and entertaining throughout. But there are aspects of the tale that could have used more depth. The narrative would have benefited from fuller descriptions of the director’s supposed mistress and his and Masina’s relationship. Fellini and Masina’s partnership intersected with all areas of their lives and inspired some of the most important films in cinematic history. Their collaboration warrants an examination that’s broader than a simple look at an artist and his muse. Ultimately, Fuglei’s book does not feel like a novel. Instead, it reads like an appealing, quickly paced recitation of Fellini’s life that lacks cited sources. While it is a fine work, readers intensely interested in the director should look for a biography.

An engrossing, informative tale about a cinematic giant.

“An engrossing, informative tale about a cinematic giant”

A novel focuses on Federico Fellini’s tempestuous life and brilliant film career.

Fellini first ventures to the circus on his fourth birthday in 1924. It is there, beneath a circus tent in Italy, where he seems to fall in love with the playfulness and creativity that infuse the sometimes-raucous atmosphere of show business. Fellini’s passion for theatrics continues despite coming-of-age in Fascist Italy as World War II begins. Later, determined to make sure “his life would have meaning—endless meaning and purpose,” he moves to Rome, where his job writing for a satirical magazine leads to opportunities in the film industry. While casting a radio play, he sees a picture of Giulietta Masina and immediately calls her up to make a date. The two soon fall in love and get married, cementing what will be a fruitful, long-term relationship both in life and the cinema. Following the war, Fellini’s career takes off, as he makes La Strada, La Dolce Vita, and 8½. Throughout it all, the playfulness of the circus never leaves Fellini’s heart.

Fuglei’s account of Fellini’s life is certainly engaging, particularly the fearful descriptions of the Nazi occupation of Rome during the war and the vivid scenes of the relief and joy in the city when the German troops exit. The author’s highlighting of the differences between Fellini and other directors is a great nugget for cinema lovers: “Unlike many directors, he loved visitors and onlookers to his sets; he felt they brought energy and life…Federico’s were full of constant noise, chatter, and seeming disorder.” The story is accessible and entertaining throughout. But there are aspects of the tale that could have used more depth. The narrative would have benefited from fuller descriptions of the director’s supposed mistress and his and Masina’s relationship. Fellini and Masina’s partnership intersected with all areas of their lives and inspired some of the most important films in cinematic history. Their collaboration warrants an examination that’s broader than a simple look at an artist and his muse. Ultimately, Fuglei’s book does not feel like a novel. Instead, it reads like an appealing, quickly paced recitation of Fellini’s life that lacks cited sources. While it is a fine work, readers intensely interested in the director should look for a biography.

An engrossing, informative tale about a cinematic giant.